Description: They Call Us Misfits follows a group of teenagers as they become recipients, then victims, of Sweden’s welfare-state economy. The group eschews traditional social values, engaging in selling drugs and smugly criticizing those who adhere to a schedule and a steady job.

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Contents • • • • • Synopsis [ ] The film begins with an interview with Tompa, a friend of Kenta and Stoffe. He tells how he grew up in and juvenile prisons. He says that freedom hardly exists for him, but one thing is he sure of is that the time he spent with Kenta and Stoffe and the other mods was the most enjoyable time of his life. The interview cuts to Kenta and Stoffe running through the streets of Stockholm filmed with a.

Later, we see them walking around at the subway station in Stockholm. They meet friends and go around begging people for,.

The workers who are passing by get ridiculed by Kenta and Stoffe. Another friend of the guys, Jojje, talks about how will destroy them in time, but that he doesn't worry much about it right now.

The filmmakers have fixed a small apartment for Kenta and Stoffe which is a big difference for the guys who previously or in the apartments of others. Kenta and Stoffe talk about their childhood. Stoffe's father drank himself broke and died in a hospital. Kenta's father tried to strangle him with a tie. Stoffe also remembers that he thought it was fun to play at home when he was little. We see the two guys go to '4:an', a club for young people. Stoffe likes to be with many girls, but tells Eva, who he sleeps with, that he wants her for himself.

Kenta and Stoffe make a musical performance, where they play a song. It is now winter and a trip to Hedemora in Dalarna is taken accompanied by Hasse. They plan to visit Stoffe's childhood friend Ingmar. On the train, they drink beer, smoke and make jokes. The mood is high, but they decide they can't stay in Hedemora—the contrast from the big city of Stockholm is too great.

Stoffe thinks nothing happens in Hedemora. In Stockholm, there is Peter, who earns 400 a day by selling drugs, and Lunkan, who got from an infected hypodermic syringe.

It is summer and Kenta and Stoffe are not working and have nowhere to live. Their friendship is being worn down. Kenta doesn't think Stoffe is a good friend anymore since he started seeing Eva. One night, the guys go searching for empty stairwells to stay in, but they start arguing and Stoffe leaves. Kenta finds an empty stairwell and lays himself down, opens up a beer and starts reading a. The same night, Stoffe gets taken in by the. Music [ ] • 'Fisheye' by • 'Leave Me Be' by • 'Den glade bagarn i San Remo' by • 'Dom kallar oss mods' by Reception [ ] In Stockholm newspapers, the film received generally good reviews.

It expressed solidarity with the project itself, which meant that the writers basically took away from a formal and aesthetic value of the film. In the Swedish newspaper Svenska Dagbladet, Carl Henry Svenstedt said: 'A more conventional critique would seem cynical, about a problem whose solution we all have responsibility for.' What Kenta and Stoffe thought about the movie was never revealed, as they were arrested at the premiere for causing a commotion.